PREMIERE AND PREVIEW OF TWO PORTRAITS
Waschka's music portraits of two North Carolina State Universty faculty members were given premiere or preview performances in February of 2016.
On February 19, 2016 the premiere performance of A Portrait of Stephanie Spenser was given at the Southeastern Composers League festival at Campbell University. The electronic music piece uses sounds such as a recording of a horse walking and one stone hitting another along with a sonic mapping of the cover of one of Dr. Spenser's books and a photo of Dr. Spenser and her horse Clancy to develop a musical portrait of Prof. Spenser, who teaches at North Carolina State University.
On February 7, 2016 a special preview performance of another musical portrait -- that of Dr. Jonathan C. Kramer was presented at North Carolina State University. A Portrait of Jonathan C. Kramer features manipulated recordings of Prof. Kramer playing the cello, references to his work as an ethnomusicologist, as well as a mapping of a photograph of Dr. Kramer. Kramer presented the piece, which exists as an acousmatic or "tape" work and as a piece that can be performed by a cellist together with the "tape" part was presented in Stewart Theatre in Raleigh as part of concert that included the other works by Schubert and Brahms. Besides Kramer, performers in the concert were Olga Kleiankina and Peter Askim of NC State, Scott Rawls of UNCG, and Sarah Johnson of Converse College.
AT LEAST 21…PERFORMED IN MARK TWAIN’S GARAGE
On October 16, 2015 the Hartford New Music Festival presented a performance of Rodney Waschka's piece, At Least 21 Governments And/Or Corporations, Using Cameras On The Roads With License Plate Recognition Software and Cameras In Buildings With Face Recognition Software And Various Other Electronic Eavesdropping Devices, Are Currently Attempting To Track Your Movements, Keep A List Of What You Buy, Document How Much Money You Have And Where You Spend It, Archive What You Read At Home And At The Library, Record What You Eat And With Whom You Meet, As Well As Catalog What You Look At On The Internet, (2014) for unspecified sextet.
The performance took place in the Mark Twain's Carriage House, now renovated and functioning as The Carriage House Theater.
The Hartford New Music Festival is an exhilarating concert series aiming “to present a mixture of local composers, performers, ensembles and more internationally recognized composers…to present newer work in a historical context.” This festival is a catalyst for music lovers, who are looking for more adventurous music that details fresh thinking and defies conventional ideas and music processes, while transforming the audiences musical experience through rigorous art.
At Least 21... received its world premiere in Bristol, England given by the Contemporary Music for All group in November of 2014 and the US premiere of the work was given by the Central Michigan University New Music Ensemble in December of 2014.
AT LEAST 21… PREMIERES IN ENGLAND AND THE US
Contemporary Music for All -- Bristol gave the world premiere performance of the sextet, At Least 21 Governments And/Or Corporations, Using Cameras On The Roads With License Plate Recognition Software and Cameras In Buildings With Face Recognition Software And Various Other Electronic Eavesdropping Devices, Are Currently Attempting To Track Your Movements, Keep A List Of What You Buy, Document How Much Money You Have And Where You Spend It, Archive What You Read At Home And At The Library, Record What You Eat And With Whom You Meet, As Well As Catalog What You Look At On The Internet (2014) on November 26, 2014 at the Bristol Music Club in Bristol, England. The work is scored for six undesignated instruments, with four parts notated with treble clefs and two parts notated in the bass clef. The CoMA Bristol Players include: Isabel Jones, Emily Harmer (flutes); Diana Van Loock, Yvonna Magda (violins); Bennet Jones (clarinet); Mark Langford (bass clarinet); Heather Gibbard (cello); Julian Dale (double bass); Vyv Hope-Scott, Ann Claxton (piano/percussion); Katherine Martin (percussion). Mark Lawrence conducted.
Less than two weeks later, the Central Michigan University New Music Ensemble gave the United States premiere of At Least 21..., on Sunday, December 7, 2014 in the Staples Family Concert Hall. The New Music Ensemble is directed by Nathan Brown. A copy of the program appears below.
BRNO PHILHARMONIC ORCHESTRA RECORDS WASCHKA PIECE
A recording of Waschka’s orchestra piece, Belgrade Overture, has been released (November 2013) on the Australian record label, Ablaze. The Brno Philharmonic Orchestra, conducted by British conductor Mikel Toms, recorded the work for a compact disc aimed at highlighting some of the best composers of new music for orchestra from throughout the world. The disc is called “Orchestral Masters.” Other composers on the disc come from Japan, Columbia, Greece, China, as well as the US.
Waschka composed the piece in 2008 for the Radio Television (RTS) Symphony Orchestra of Serbia with the help of a computer program he designed based on the concept of genetic algorithms. The work, scored for a standard orchestra, also makes use of a Serbian folk tune.
Belgrade Overture received its world premiere in the Kolarac Foundation Hall in Belgrade, Serbia on November 22, 2008, given by the RTS Symphony Orchestra of Serbia conducted by Bojan Sudjic, as part of the International Review of Composers festival. Belgrade Overture has since been performed in the United States by the Knox-Galesburg Symphony conducted by Bruce Polay.
The Brno Philharmonic Orchestra of the Czech Republic has a long and impressive history of music making including work with conductors such as Kurt Masur and Yehudi Menuhin, and soloists of the caliber of Gidon Kremer and Sviatoslav Richter. Mikel Toms studied at Oxford and has conducted the Royal Philharmonic, the London Chamber Orchestra, and many other groups in the UK and abroad and is now Director of Recordings for the Brno Philharmonic Orchestra. Another note about the recording appears here.
RE-RELEASE OF WINTER CONCERTO NAMED “RECORD OF THE MONTH"
"If you buy one CD set this month or, for that matter, over the next twelve, you should consider A European Odyssey, A remarkable musical adventure with the London Schubert Players." --- from a Composition:Today review of the CD set, which includes Waschka's Winter Concerto.
The recording of Waschka's Winter Concerto by the London Schubert Players chamber orchestra with Huw Morgan trumpet soloist has been re-released on the prestigious Nimbus label (England) as part of a 3-CD set, "A European Odyssey" (NI6195). The re-release package, which presents seventeen selected compositions (fourteen new works and three older works by Mendelssohn, Saint-Saens and Enescu) from the original set of Invitation to Composers recordings, has been named "Record of the Month" by Composition:Today.
Pianist Anda Anastasescu founded and serves as the Artistic Director of the London Schubert Players. The recordings were part of a London Schubert Players project called "Invitation to Composers", which featured thirty-five new works performed and recorded on seven CDs. That project was supported by the European Union Culture Fund, the London Schubert Players Trust, the Lionel Tertis Foundation of London, and the Romanian Cultural Institutes of Paris, and London, among others.
The original set or recordings has also been reviewed by Peter Grahame Woolf for Musical Pointers. More information on the original RMA release of this recording can be found here. Information on the premiere of Winter Concerto in London can be found here.
WINTER CONCERTO RECORDING RELEASED ON RMA LABEL IN LONDON
A recording of composer Rodney Waschka's trumpet concerto, Winter Concerto, has been released on the RMA label in London. The London Schubert Players chamber orchestra recorded the work for a compact disc called "As You Like It". The recording, supported by a grant from the European Union, features Huw Morgan performing on trumpet. Pianist Anda Anastasescu founded and serves as the Artistic Director of the London Schubert Players (LSP).
The recording is part of the Invitation to Composers Project funded by European Union Culture Fund, Programme 2007-2013. Other contributors included the London Schubert Players Trust, the Lionel Tertis Foundation of London, the Romanian Cultural Institute of Paris, and the Romanian Cultural Institute of London.
Waschka, Professor of Arts Studies at North Carolina State University, composed the piece in the winter of 2009 with the help of computer programming procedures known as genetic algorithms. The work, scored for trumpet, piano, and strings, is in three movements and makes use of the Romanian folk song, "Jiana" as transcribed by Lyuben Dossev. "I divided the folksong into three parts, and used one part in each of the three movements of my Winter Concerto," Waschka said.
Winter Concerto, written for the LSP chamber orchestra, received its world premiere in Enescu Hall in London on July 8, 2010, performed by the LSP. Other works recorded on the CD include pieces by Camille Saint-Saens and Hans Werner Henze.
Trumpeter Morgan, Brass winner of the British Broadcasting Corporation's "Young Musician of the Year" in 2006, was the youngest ever winner of the International Trumpet Guild (ITG) Solo Competition in 2005, and completed a rare double by becoming the youngest winner of the ITG Orchestra competition in 2008.
Waschka, known for his computer music and his theatrical works including two operas, is an internationally recognized expert in computer music. He wrote the chapter on composing with genetic algorithms for the book, Evolutionary Computer Music, published by Springer. His pieces are widely performed and have been recorded on the Capstone, AUR, Centaur, and IRIDA labels in the USA, on the PeP label in Canada, and on the Ama Romanta and Plancton labels in Portugal. His works are published by Borik Press and ACE.
WASCHKA’S WINTER CONCERTO PREMIERES IN LONDON
Composer Rodney Waschka's trumpet concerto, Winter Concerto, received its world premiere in Enescu Hall in London on July 8, 2010, performed by the London Schubert Players (LSP) chamber orchestra.
Winter Concerto, scored for trumpet, piano, and strings, was written for the LSP and sponsored, in part, by the European Union.
Pianist Anda Anastasescu founded and serves as the Artistic Director of the London Schubert Players.
Huw Morgan performed the trumpet part.
Waschka, Professor of Arts Studies at North Carolina State University, composed the piece in the winter of 2009 with the help of computer programming procedures known as genetic algorithms. The work is in three movements and makes use of the Romanian folk song, "Jiana" as transcribed by Lyuben Dossev. "I divided the folksong into three parts, and used one part in each of the three movements of my Winter Concerto," Waschka said.
Waschka, known for his computer music and his theatrical works including two operas, is an internationally recognized expert in computer music. He wrote the chapter on composing with genetic algorithms for the recent book, Evolutionary Computer Music, published by Springer. His pieces are widely performed and have been recorded on the Capstone, AUR, Centaur, and IRIDA labels in the USA, on the PeP label in Canada, and on the Ama Romanta and Plancton labels in Portugal. His works are published by Borik Press and ACE.
Trumpeter Morgan, Brass winner of the British Broadcasting Corporation's "Young Musician of the Year" in 2006, was the youngest ever winner of the International Trumpet Guild (ITG) Solo Competition in 2005, and completed a rare double by becoming the youngest winner of the ITG Orchestra competition in 2008.
The London Schubert Players recently recorded Winter Concerto for an upcoming CD release.
PIANO CONCERTO PREMIERED IN EUROPE
Plenty of snow outside, but fireworks inside Glinka Hall at the world premiere of Waschka's Piano Concerto in Russia.
Rodney Waschka's Piano Concerto was given its world premiere in St. Petersburg, Russia on November 27, 2010 featuring soloist Olga Kleiankina performing with the St. Petersburg Chamber Philharmonic conducted by Jeffery Meyer.
The twenty-minute work was composed for pianist Olga Kleiankina and commissioned by the St. Petersburg Chamber Philharmonic. The performance was part of the annual Sound Ways Festival. Traditionally, the Sound Ways Festival consists of works by Russian composers and a featured guest composer.
Past Sound Ways festivals have hosted composers Gyorgy Ligeti, Karlheinz Stockhausen, George Crumb, and Brian Ferneyhough. This year Waschka was on hand for the premiere of his Piano Concerto at the large-scale orchestra concert of the Festival that included works by Ligeti, Alexander Radvilovich, and Steve Reich. In the past, Glinka Hall has hosted performances by such luminaries as Franz Liszt, Thalberg, Rubinstein, Glenn Gould, Svyatoslav Richter, Emil Gilels, David Oistrach, Mstislav Rostropovich, and the Russian premiere of Beethoven's 9th Symphony
Program note for the piece:
Piano Concerto (2010) was composed for the pianist Olga Kleiankina and the St. Petersburg Chamber Philharmonic, Jeffery Meyer, Artistic Director. The concerto is in three movements and was inspired, in part, by Rachmaninoff’s Études Tableaux and some of the piano pieces from Tchaikovsky’s opus 39. In particular, music from opus 39, numbers 3 and 16 is heard in the first movement; number 16 appears in the second movement, and number 13 in the final movement. The Piano Concerto was composed with the help of a computer program designed and coded by the composer based on genetic algorithms, also known as evolutionary algorithms. This work was supported, in part, by a grant from North Carolina State University.
Waschka in front of the Winter Palace.
NEW ORCHESTRA PIECE PREMIERED IN EUROPE
The Radio Television Symphony Orchestra of Serbia presented the Premiere of Waschka's Belgrade Overture as part of the 17th International Review of Composers.
A new piece for orchestra composed by Dr. Rodney Waschka II was given its premiere performance at the 17th International Review of Composers in Belgrade. The Radio Television Symphony Orchestra of Serbia performed Waschka's piece, Belgrade Overture, in the Kolarac Foundation Hall on November 22, 2008. Bojan Sudjic, the Chief Conductor and Artistic Director of this national symphony, conducted the performance.
RT Symphony Orchestra of Serbia
The International Review of Composers featured artists from around the world. Works by composers from throughout Europe, and as far away as Argentina, Japan, and Taiwan were performed. In addition to the piece by Waschka, concert works by Sir Harrison Birtwistle (UK), Chick Corea (USA), and Mauricio Kagel (Germany), among others, were presented at the festival, which ran from November 19th through the 23rd.
Waschka is internationally known for his computer music compositions and his operas. His works, many for traditional ensembles such as string quartet, piano duo, and symphonic concert band among others, have been performed throughout Europe and the United States, in South America, and Asia. His music is recorded and distributed worldwide on record labels in the USA, Canada, and Portugal and many of his works are published by Borik Press. Waschka teaches at North Carolina State University.
WASCHKA WORK FEATURED ON WNYC RADIO PROGRAM
Looking, from Waschka's large-scale computer music work Help Me Remember was a featured selection on the WNYC (New York) radio program "New Sounds". Billboard Magazine called "New Sounds", hosted by John Schaefer, "The #1 radio show for the Global Village."
Click on the headline to listen to the show.
NEW PIANO WORK AT NC STATE AND MIT
Pianist and engineer (operations research), Elaine Chew gave the premiere of a new work for piano by Rodney Waschka called A Simple Gift for Elaine. At the request of Dr. Chew, Waschka composed the piano piece based on the Shaker tune, "Simple Gifts" by Joseph Brackett.
Waschka used a genetic algorithm that he designed and coded to help him compose the new piece using the Brackett tune as part of the initial population.
Prof. Chew, who teaches at the University of Southern California, presented the premiere performance at North Carolina State University on March 24, 2008 as part of the Arts NOW Series. On May 12, 2008, she performed A Simple Gift for Elaine at the Massachusetts Institute of Technology (MIT). A review of that concert by Larry Hardesty appears in the September/ October 2008 issue of Technology Review magazine. Read the review here.
NEW ALL-WASCHKA COMPACT DISC RELEASED
Music For Strings a CD of Waschka's music performed by the Nevsky String Quartet, has just been released on Capstone Records. The disc contains recordings of two string quartets and solo works for violin, viola, and cello.
Click on the headline for more information/press release.
A review of the CD appears in CVNC.
SUMMER CONCERTO RECORDING RELEASED ON COMPACT DISC
Waschka's composition, Summer Concerto for alto saxophone and Symphony Band, recorded by Phillip Barham and the Tennessee Tech Symphony Band directed by Joseph Hermann, has a commercial release on Arizona University Recordings.
Click on the headline for more information/press release.
BOOK PUBLISHED WITH WASCHKA RECORDING AND CHAPTER
Waschka's composition Singing in Traffic has been published as part of the book Evolutionary Computer Music. Waschka wrote a chapter for the book describing his use of genetic algorithms in the composition of some of his music.
Click on the headline for more information/press release.
Gregory Wiest premiered Rodney Waschka's song cycle Trains, for voice and piano, in Munich, Germany on March 25, 2007.
Click on the headline for more information/press release.
Summer 2021: Composing in Europe.
October 16, 2020: Performance by Olga Kleiankina of Considering Jupiter as part of the joint College Music Society and Association for Technology in Music Instruction National Conference.
September 28, 2020: Performance of Riding with Phil by the Phasma Quartet at the Kwidzyn International Music Festival in Poland.
May 8, 2020: Release of Jeff Morris's CD Hearing Voices on Ravello Records featuring vocals by Waschka in the composition, A Tuesday With Rodney.
April 22, 2020: Virtual premiere of 77 (violin and percussion) performed by Rebecca and Eric Willie of the Knoxville-based new music ensemble Nief-Norf on the Virtual Norf Space (http://www.niefnorf.org/virtual-norf-space).
March 7, 2020: Performance by John Sampen of The Definitions Aria at the North American Saxophone Alliance (NASA) Conference in Tempe, Arizona.
February 9, 2020: Performance of A Portrait of Bessie Coleman, Harriet Quimby, Raymonde De Laroche and Mary, Lady Heath on the Multimedia Series at Montana State University in Bozeman.
January 22, 2020: Waschka performs Shoelace and music by Christian Wolff, Kennedy-McIlwee Studio Theatre, Raleigh.
December 6, 2019: Premiere performance of A Portrait of Bessie Coleman, Harriet Quimby, Raymonde De Laroche and Mary, Lady Heath at MusicBytes, Lewis University.
November 7, 2019: Performances of La Verdad and A Portrait of Stephanie Spencer, Kennedy-McIlwee Studio Theatre, Raleigh.
October 25, 2019: Performance by Olga Kleiankina of Considering Jupiter at the College Music Society National Conference in Louisville, KY.
October 11-13, 2019: Performance of A Portrait of Larry Austin at the Seoul International Computer Music Festival, South Korea.
September 13, 2019: Guest Composer at the University of North Carolina - Greensboro/New Music Greensboro.
July, 2019: Release of Considering Jupiter recorded by Olga Kleiankina for a Blue Griffin compact disc. Available here.
Summer: Composing in Europe.
June 20, 2019: World Premiere of A Portrait of Larry Austin at the joint International Computer Music Conference and New York City Electroacoustic Music Festival, in the Frederick Loewe Theater.
June 17, 2019: Keynote address at the International Music Metacreation conference.
May 5, 2019: Performance of Considering Jupiter by Olga Kleiankina and Emil Polyak at the North Carolina Museum of Art. Read the review here.
April 5, 2019: Performance of Considering Jupiter with Olga Kleiankina and Emil Polyak at the Smithsonian Museum of American History in Washington, D.C.
March 1, 2019: Premiere of A Bubble of Bubbles Floats Down an Opinion Corridor at the Southeastern Composers League Festival in Nashville, TN.
January 29, 2019: Performance of A Portrait of Paul Berg in Raleigh.
November 30, 2018: Performance of Using the Internet by the University of Oklahoma New Century Improv Ensemble.
November 15, 2018: Performance of A Portrait of Jonathan C. Kramer in Raleigh.
November 9, 2018: Premiere of A Portrait of Paul Berg at the Electro-Acoustic Barn Dance in Jacksonville, Florida.
September 21, 2018: Release of recording of Film Noir Trailer recorded by Iwona Glinka on Phasma Records.
September 19, 2018: Preview performance of 77 for violin and percussion by Legal Wood in Raleigh.
Summer, 2018: Composing in Europe.
April 3, 2018: Performance of Nikolai Vavilov Considers the Future of Science by the Coastal Winds Quintet at East Carolina University.
March 27, 2018: Premiere of Nikolai Vavilov Considers the Future of Science by the Coastal Winds Quintet in Raleigh.
March 15, 2018: Performance by Jonathan Kramer of Ravel Remembers Fascism at Campbell University.
February 15, 2018: Performance by Allan Ware of Singing in Traffic in Thompson Hall in Raleigh.
February 9, 2018: Performance by Craig Hultgren of Singing in Traffic at the Electro-Acoustic Barn Dance in Jacksonville, Florida.
February 4 2018: Premiere by pianist Olga Kleiankina of Considering Jupiter for piano, electronic music, and realtime video in Raleigh. Video by Emil Polyak.
December 18, 2017: Premiere performance of Film Noir Trailer in the Municipal Conservatory, Patros, Greece. Iwona Glinka and Renata Guzik, performers.
October 18, 2017: Performance by Waschka in Truitt Auditorium, Raleigh. Works by Pauline Oliveros, Stuart Saunders Smith, Antonio Ferreira, Philip Corner, Dennis H. Miller, Bill Alves, Alison Knowles and Waschka's Summer Song.
September 27, 2017: Broadcast of Au Revoir, Svetozar on WPRB's Classical Discoveries radio program.
September 26, 2017: Premiere of Essay: Déploration sur la mort de Jean-Claude Risset for violin and tape by Jennifer Curtis in Raleigh.
September 18, 2017: Performance of Singing in Traffic by Allan Ware in Osnabruck, Germany.
September 8, 2017: Performance of At Least 21... by the Great Noise Ensemble at the West Fork New Music Festival.
April 3, 2018: Performance of Nikolai Vavilov Considers the Future of Science by the Coastal Winds Quintet at East Carolina University.
March 27, 2018: Premiere of Nikolai Vavilov Considers the Future of Science by the Coastal Winds Quintet in Raleigh.
March 15, 2018: Performance by Jonathan Kramer of Ravel Remembers Fascism at Campbell University.
February 15, 2018: Performance by Allan Ware of Singing in Traffic in Thompson Hall in Raleigh.
February 9, 2018: Performance by Craig Hultgren of Singing in Traffic at the Electro-Acoustic Barn Dance in Jacksonville, Florida.
February 4 2018: Premiere by pianist Olga Kleiankina of Considering Jupiter for piano, electronic music, and realtime video in Raleigh.Video by Emil Polyak.
December 18, 2017: Premiere performance of Film Noir Trailer in the Municipal Conservatory, Patros, Greece. Iwona Glinka and Renata Guzik, performers.
October 18, 2017: Performance by Waschka in Truitt Auditorium, Raleigh. Works by Pauline Oliveros, Stuart Saunders Smith, Antonio Ferreira, Philip Corner, Dennis H. Miller, Bill Alves, Alison Knowles and Waschka's Summer Song.
September 27, 2017: Broadcast of Au Revoir, Svetozar on WPRB's Classical Discoveries program.
September 26, 2017: Premiere of Essay: Déploration sur la mort de Jean-Claude Risset for violin and tape by Jennifer Curtis in Raleigh.
September 18, 2017: Performance of Singing in Traffic by Allan Ware in Osnabruck, Germany.
September 8, 2017: Performance of At Least 21... by the Great Noise Ensemble at the West Fork New Music Festival.
Summer 2017: composing in Europe.
March 24, 2017: Preview performance of Confrontations at the Southeastern Composer's League Forum in Lexington, Virginia.
March 3, 2017: Release of a recording by the Hong Kong New Music Ensemble of Au Revoir, Svetozar on Ablaze Records.
March 1, 2017: Performance of Singing in Traffic (alto sax version) by Phil Barham.
February 16, 2016: Premiere performance of String Quartet #4 by the Aizuri Quartet.
December 23-25, 2016: Missing Mom at the Kiev International Film Fest.
November 14, 2016: Missing Mom at the Drafthouse in Houston.
November 11, 2016: Performance of A Portrait of Stephanie Spencer at the Electro-Acoustic Barn Dance at UMW.
November 11-13, 2016: Missing Mom at the Forest City Film Festival, Ontario.
November 10, 2016: Premiere performance of Using the Internet by the JCA Composer's Orchestra in Indianapolis.
October 27, 2016: Performance of MAYDAY: Requiem for Those Lost at Sea at Campbell University.
October 12, 2016: Waschka performs in Truitt Auditorium in Broughton Hall including Wealth Inequality 2016, A Portrait of Jonathan Kramer, and A Short Letter from a Small Place.
September, 2016: Missing Mom at the Miami Independent Film Festival.
September 16, 2016: Paper Presentation at the International Computer Music Conference in Utrecht.
September 15-17, 2016: Missing Mom at Docufest, Atlanta.
August, 2016: Missing Mom at the International Monthly Film Festival in Copenhagen.
August 18-21, 2016: US Premiere of Missing Mom (Waschka, Associate Producer) at the Atlanta Underground Film Festival where it wins Best Documentary Award.
July 21, 2016: World Premiere of The Elephant in the Room permformed by timpanist Brent Miller at the Australian Percussion Gathering in Brisbane, Australia.
Summer, 2016: Composing in Europe.
May, 2016: Premiere of the film, Missing Mom (Waschka, Associate Producer) in London, Ontario.
May 6, 2016: World Premiere of Au Revoir, Svetozar performed by the Hong Kong New Music Ensemble at the EchoFluxx 16 Festival in Prague.
April 29, 2016: Premiere of Wealth Inequality 2016 performed by the Lineage Percussion Trio in Ramsey Concert Hall, University of Georgia.
April 24, 2016: Premiere of Raleigh Overture performed by the Raleigh Civic Chamber Orchestra under the direction of Peter Askim
April 16, 2016: Performance of Aubade at Youngstown State University as part of 60x60.
March 22, 2016: Preview performance in Raleigh by Kate Campbell of some of the Enigmatic Sonatas for piano.
February 19, 2016: Performance of A Portrait of Stephanie Spencer at the Southeastern Composers League Forum, Campbell University.
February 9, 2016: Presentation of Horizons (film) in the Theatre at Eastern Illinois University.
February 7, 2016: Premiere performance of A Portrait of Jonathan Kramer given by Jonathan Kramer in Stewart Theatre, Raleigh.
January 19, 2016: Waschka performed at the Arts NOW Series, Raleigh, North Carolina, works by M. Helmuth, A. Jenks, J. Cage.
January 9, 2016: US premiere performance of MAYDAY: Requiem for Those Lost at Sea at the San Francisco Tape Music Festival.
November 7, 2015: Performance of At Least 21... (full title under compositions), for unspecified sextet, New Music Ensemble, Ohio University, Mark Phillips, Director.
November 5, 2015: Performance of Aubade at North Carolina State University.
October 30, 2015: Performance of Aubade at Denison University.
October 23, 2015: Two performances at the Winter Garden in New York City of Aubade.
October 23, 2015: Performance of Aubade at the Frost School of Music, University of Miami.
October 20, 2015: Performance of Aubade in Bucharest, Romania at the Universitatea Nationala De Muzica Bucuresti.
October 16, 2015: Performance of Wall Street 2008 at the Fleischmann Planetarium in Reno, Nevada.
October 16, 2015: Performance of At Least 21... at the Hartford New Music Festival.
October 1, 2015: Presentation at the International Computer Music Conference.
September 25, 2015: Australian premiere of Belgrade Overture, for orchestra, in Sydney.
September 8, 2015: Performance of La Verdad in Raleigh.
Summer 2015: Composing in Europe.
May 1, 2015: Performance of MAYDAY: Requiem For Those Lost At Sea by the Bristol University Loudspeaker Orchestra, Bristol, England.
March 21, 2015: Performance of Still Life with Castanets at EARspace sponsored by SoundKitchen as part of the Frontiers Festival at HFWAS in Digbeth, Birmingham, England.
March 3, 2015: Presentation on algorithmic electronic music as part of a panel on electronic music in the Auditorium of the Hunt Library, (7pm) sponsored by the NCSU Libraries.
February 17 - March 3, 2015: Daily presentation of the film Horizons at the Hunt Library of NCSU.
February 28, 2015: Performance by the Balkan Quartet of String Quartet #3 at the South Carolina Chamber Music Festival at Francis Marion University Performing Arts Center.
February 27, 2015: Premiere Performance of Dirty Secrets at the Southeastern Composers League Forum, Converse College, Spartanburg, South Carolina.
February 22, 2015: Performance of A Portrait of Pablo Picasso by One of His Lovers at East Carolina University.
February 22, 2015: Guest Lecture at the North Carolina New Music Initiative event at East Carolina University.
December 7, 2014: US premiere of the piece, At Least 21... (full title under compositions) for unspecified sextet, performed by The New Music Ensemble at Central Michigan University in the Staples Family Concert Hall.
December 6, 2014: Neil Hicks performs the Interludes (soprano sax and tape) from the opera Saint Ambrose at the Indiana University Jacobs School of Music.
November 26, 2014: World premiere of the piece, At Least 21... (full title under compositions), for unspecified sextet, performed by the Contemporary Music For All group at the Bristol Music Club in Bristol, England.
November 7, 2014: Screening of the film Horizons by Zlatko Cosic and Waschka at the Fresh Minds Festival at Texas A&M University.
October 28, 2014: Performance of CHATting Up by saxophonist and composer Laurent Estoppey as part of the Arts NOW Series on the campus of North Carolina State University. Read the review HERE.
October 9, 2014: Mexican Premiere of A Portrait of Pablo Picasso by One of His Lovers in Mexico City as part of the MUSLAB 2014 concerts at Espacio Sonoro UAM-X.
September 30, 2014: Waschka performs a program of works including pieces by Pauline Oliveros, Charlemagne Palestine, Christian Wolff, Mara Helmuth, and others at Truitt Auditorium on the campus of North Carolina State University. Read the review HERE.
September 25, 2014: US Premiere of A Portrait of Pablo Picasso by One of His Lovers in New York City as part of the Circuit Bridges concert series.
September 18, 2014: World Premiere of A Portrait of Pablo Picasso by One of His Lovers at the Joint International Computer Music Conference and Sound and Music Computing Conference in Athens, Greece.
Summer, 2014: Composing in Europe.
May 31- June 1, 2014: Broadcast of Reminded of Dickens as part of the Wave Farm event on WGXC radio in New York.
April 8, 2014: Wall Street 2008, presented in Rethymno, Greece.
March 29, 2014: Benjamin Carraher performed The Definitions Aria from the saxophone opera Saint Ambrose at the Hartt School of Music in Connecticut.
February 22, 2014: Performance of Enigmatic Sonata #1 by Walton Lott at the Southeastern Composers League Forum at the University of Tennessee, Chattanooga.
February 18, 2014: Preview performance of A Portrait of Pablo Picasso..., and performance by Waschka of works by Alden Jenks and Mara Helmuth at Truitt Auditorium in Raleigh.
January 14, 2014: Premiere performance of String Quartet #3 by the Balkan Quartet at Titmus Theatre in Raleigh.
November 2013: A recording of Waschka’s Belgrade Overture, has been released on the Australian record label, Ablaze. The Brno Philharmonic Orchestra, conducted by British conductor Mikel Toms, recorded the work for a compact disc called “Orchestral Masters.” More here and here.
November 8, 2013: Premiere performance of Beware the New(york) Sugar Adams for string trio by the group, a very small consortium, in Green Bay, Wisconsin.
October 21, 2013: Lecture on the political/intermedial work of artist Michael Klauke at the Frankie Weems Art Gallery at Meredith College.
October 15, 2013: Performance of A Noite, Porem, Rangeu E Quebrou by Andrea Cheeseman at the Titmus Theater in Raleigh.
October 5, 2013: Performance of CHATting Up at the CEMICIRCLES Festival at the University of North Texas, sponsored by the Center for Experimental Music and Intermedia at UNT.
October 4, 2013: Performance of Wall Street 2008 at Harvestworks on Broadway in New York City.
September 25, 2013: Broadcast of of Wall Street 2008 on WVUM radio.
September 23, 2013: Performance of Wall Street 2008 in Clarke Recital Hall at the University of Miami.
Summer, 2013: Composing in Europe.
May 31, 2013:Performance of Wall Street 2008 Winifred Moore Auditorium, Webster University Film Series.
May 3, 2013: Performance of Wall Street 2008 in the John Jacob Niles Gallery at the University of Kentucky.
April 28, 2013: Performance of Good Luck and Bad Luck by Natalie Bader, Katie Michalak, and Richard Drehoff, at the University of North Carolina, Chapel Hill.
April 26, 2013: Performance of Wall Street 2008 at the Axis Arts Centre, Manchester Metropolitan University, Manchester, England.
April 26, 2013: Performance of Good Luck and Bad Luck by Natalie Bader, Katie Michalak, and Richard Drehoff, at Hill Hall, University of North Carolina, Chapel Hill.
April 25, 2013: Performance of Wall Street 2008 at the Bellingham Electronic Arts Festival, Bellingham, Washington.
April 20, 2013: Performance of Wall Street 2008 at the Black Box Theater, Texas A&M University.
April 19, 2013: Performance of Wall Street 2008 at the Black Box Theater, Texas A&M University.
April 6, 2013:Performance of Still Life with Castanets and La Verdad at the New York City Electroacoustic Music Festival.
April 4, 2013: Performance of Wall Street 2008 at the Theatersaal, University of Bremen, Germany.
March 26, 2013: Performance of Singing in Traffic by Allan Ware at NCSU in Raleigh.
March 2, 2013: Performance of La Verdad at the California State University - Fullerton New Music Festival.
February 27, 2013: Performance of Wall Street 2008 at Oxford Brookes University, as part of Audiograft in Oxford, England.
February 23, 2013: US Premiere of Belgrade Overture by the Knox-Galesburg Symphony, conducted by Bruce Polay in the Orpheum Theater.
February 19, 2013: Guest composer at the University of North Carolina at Greensboro. Performance of Still Life with Castanets and La Verdad.
January 29, 2013: Performance of Still Life with Castanets and La Verdad at the Kennedy-McIlwee Theatre at NCSU in Raleigh.
January 28, 2013: Performance of Wall Street 2008 at Roland Hayes Concert Hall, Chattanooga, Tennessee.
January 27, 2013: Performance of Wall Street 2008 at Wahlberg Recital Hall, California State University, Fresno.
Re-release of a recording of Winter Concerto by the London Schubert Players chamber orchestra with Huw Morgan trumpet soloist, this time on the Nimbus Alliance label (United Kingdom) as part of a 3-CD set, "A European Odyssey" (NI6195). Named "Record of the Month" by Composition:Today. More information HERE.
December 7, 2012: Performance of Wall Street 2008 at Ives Hall, Lewis University in Illinois.
December 5, 2012: Performance of Wall Street 2008 at Dinu Lipatti Concert Hall, National University of Music, Bucharest, Romania.
November 30, 2012:Performance of Wall Street 2008 as part of the Concordance Festival, at Spectrum in New York City.
November 26, 2012: Performance of Wall Street 2008 at the University Art Museum, California State University, Long Beach, California.
November 20, 2012: Performance of Wall Street 2008 at EDAU, University of Central Lancashire, United Kingdom.
November 14, 2012: Performance of Wall Street 2008 at Hulsey Recital Hall, University of Alabama - Birmingham.
November 9, 2012: Performance of Wall Street 2008 at Longy School of Music of Bard College, Cambridge, Massachusetts.
November 9, 2012: Performance of Wall Street 2008 at Gainesville State College, Oakwood Georgia.
October 11-13, 2012: Performance by Waschka at the University of Mary Washington including pieces by Pertti Jalava, Allen Strange, and Mansoor Hosseini. Waschka works performed: Visions of Habakkuk, La Verdad, Still Life with Castanets, and A Short Letter from a Small Place.
September 28 and 29th, 2012: Performances of Aubade at the Studio 300 Digital Art and Music Festival, Lexington, Kentucky.
September 18, 2012: Premiere of Wall Street 2008 at the 60x60 concert, Kennedy-McIllwee Studio Theatre, Thompson Theatre, NCSU, Raleigh.
September 5, 2012: Premiere of Variazione Turistiche in Riola Terme, Italy, performed by clarinetist Arianna Tieghi.
June 16, 2012: Performance of Piano Concerto in Moldova as part of the "New Music Days" Festival, Olga Kleiankina, piano soloist with the National Radio-Television Orchestra, Oleg Palymski, conductor, in the National Philharmonic Hall.
Summer 2012: Composing in Europe.
March 29, 2012: Performance of String Quartet: Laredo by the Balkan Quartet at North Carolina State University in Raleigh.
February 24-26, 2012: Screening of Horizons, a film collaboration with Zlatko Cosic, at the Carnival of e-Creativity, in India as part of the CologneOFF nomadic festival.
January 24, 2012: Performance of Aubade in Raleigh, NC.
December 9-10, 2011: Screening of Horizons at the 24th Festival Les Instants Video. Instants Video Numeriques et Poetiques. Saint Denis, France.
November 16-20: Screening of Horizons at the Vegas Independent Film Festival, in Las Vegas.
November 14, 2011: Screening of Horizons at the Universidad Autonoma Metropolitana Xochimilco in Mexico City as part of the CologneOFF International nomadic festival.
November 11-14, 2011: Performance of Sayings for mixed choir at the 20th International Review of Composers in Belgrade.
October 27-29, 2011: Screening of a Horizons at the Electroacoustic Barn Dance in Fredericksburg, Virginia.
October 28, 2011: Presentation of Aubade at the Univ. of Maryland-BC as part of the Livewire Express.
October 3, 2011: Aubade presented at the Sheldon Theater in St. Louis.
September 29, 2011: Presentation of Aubade at Slippery Rock University in Pennsylvania.
September 22, 2011: Screening of a Horizons at the Atlanta Underground Film Festival.
September 20, 2011: Performance by Waschka of various pieces at the Arts NOW Series, Raleigh, including A Short Letter from a Small Place.
September 8-10, 2011: Screening of Horizons at Waterpieces Contemporary Art and Videoart Festival in Riga, Latvia as part of the CologneOFF nomadic festival.
August 31, 2011: Screening of Horizons at Shams - The Sunflower in Beirut, Lebanon.
August 17-24, 2011: Seven screenings of Horizons at the SOHA Gallery in St. Louis, MO.
July 29, 2011: Aubade presented at Galapagos in New York City.
June 24, 2011: Horizons presented at Banja Luka College, Banja Luka, Bosnia and Herzegovina.
June 22, 2011: Horizons presented at the Academic Film Center, Students' City Cultural Center, Belgrade, Serbia.
Summer, 2011: Composing in Europe.
May 21, 2011: Premiere of Aubade as part of Dance Parade in New York City.
May 15, 2011: Screening of Horizons, at the Sonic Rain Festival at the University of Oregon.
April 30, 2011: Screening of Horizons at the Casoria Contemporary Art Museum in Naples, Italy as it becomes part of the Museum's permanent collection.
March 17-19, 2011: Waschka was a Guest Composer at the Palm Beach Atlantic University NEW MUSIC 11 Festival. Five of his works, A Simple Gift for Elaine, La Verdad, Still Life with Castanets, Singing in Traffic, and A Short Letter from a Small Place were presented in two concerts.
March 18, 2011: Screening of Horizons, at the Magmart International Festival, in Naples, Italy, sponsored by the Casoria Contemporary Art Museum.
March 14-15, 2011: North Carolina State University and Waschka hosted the Southeastern Composers League Forum. Waschka's CHATting Up for soloist and tape was performed by Laurent Estoppey.
February 18, 2011: Performance of Strange Moon at the Art Academy of Cincinnati.
February 9-12, 2011: Waschka was Guest Composer-in-Residence at Longwood University in Virginia. Nine of his works presented (A Simple Gift for Elaine, Singing in Traffic, CHATting Up, Topsy Speaks, Strange Moon, Clementine Variations, Still Life with Castanets, La Verdad, A Short Letter from a Small Place) and he conducted his Summer Concerto for alto saxophone and Symphonic Band.
January 21, 2011: Screening of Horizons, at the Society for Electro-Acoustic Music in the United States 26th Annual National Conference, Gusman Hall, Miami, Florida.
Screening December 11, 2010: Performance of Six Folksongs from an Imaginary Country by Jen Tyler at Meyerson Symphony Center in Dallas.
December 4, 2010: Screening of Horizons, at the New Music Circle Showcase, Steinberg Auditorium, St. Louis, MO.
November 27, 2010: Premiere of Waschka's Piano Concerto by Olga Kleiankina, soloist, and the St. Petersburg Chamber Philharmonic, Jeffrey Meyer, Artistic Director, in Glinka Hall in St. Petersburg, Russia.
November 20, 2010: Performance of Strange Moon at threewalls, Chicago.
November 11-21, 2010: Screening of the film Horizons, at the St. Louis International Film Festival.
October 26, 2010: Premiere performance of Academic Recessional, Reynolds Coliseum, NCSU. Commissioned for the installation of the new University Chancellor.
October 16, 2010: Performance of Strange Moon at the Contemporanea Festival in Udine, Italy.
October 9-13, 2010: Screenings each day of the film Horizons at the Kino Obserwatorium as part of the dokumentART Festival, Szczecin, Poland.
September 14, 2010: Performance of CHATting Up at the North Carolina Computer Music Festival in Raleigh.
September 14, 2010: Screening of Horizons at the North Carolina Computer Music Festival in Raleigh.
September 13, 2010: Reminded of Dickens at the North Carolina Computer Music Festival in Raleigh.
July 21, 2010: Screening of the film Horizons, a collaboration with director Zlatko Cosic, at the Stella Artois St. Louis Filmmakers Showcase. The film wins the prize for best computer animation.
July 16, 2010: Performance of Strange Moon at the Taipei Contemporary Art Center in Taipei, Taiwan.
July 14, 2010: Performance of Strange Moon at Grey Matter Books in Hadley, MA.
July 8, 2010: Premiere of Winter Concerto (a trumpet concerto) in London. The performance was given by the London Schubert Players Chamber Orchestra, Anda Anastasescu, Artistic Director, Huw Morgan, trumpet.
Summer, 2010: Composing in Europe.
April 24, 2010 Sayings for Choir, the NC State Chorale, Nathan Leaf, Director in Stewart Theatre in Raleigh.
April 15, 2010 Sayings for Choir, the NC State Chorale, Nathan Leaf, Director, at the Holy Trinity Lutheran Church in Raleigh. Premiere.
March 25, 2010 Reminded of Dickens as part of the 60x60 video project at Preintemps Musical d'Annecy, Auditorium du Centre de Pratique Musicale d'Annecy, in France.
March 8, 2010 La Verdad in at NCSU in Raleigh.
February 16, 2010 CHATting Up performed by Brooks de Wetter-Smith at the CHAT (Collaborations: Humanities, Arts, and Technology) Festival at the University of North Carolina. Premiere.
February 8, 2010 Clementine Variations at the 25th Annual Institute for Emerging Issues Forum at the Raleigh Convention Center.
February 5, 2010 Singing in Traffic performed by Jonathan Kramer at the Society of Composers, Inc. conference in Greensboro, NC.
February 4, 2010 A Simple Gift for Elaine, performed by In-Sook Park at the University of Alabama- Huntsville, New Music Festival.
January 23, 2010 Reminded of Dickens as part of the "12 Nights of Electronic Art and Music" in Miami.
December 8, 2009 40 for Rob performed by Shiau-uen Ding in New York City at the Christ and St. Stephen's Church. Premiere.
November 13, 2009 Singing in Traffic performed by Jonathan Kramer at Davis & Elkins College in West Virginia.
November 7, 2009 Clementine Variations, La Verdad, Strange Moon, and Reminded of Dickens performed at the Third Practice Festival in Richmond.
September 10, 2009 Singing in Traffic performed by Jonathan Kramer at NCSU.
Summer, 2009: Composing in Europe.
April 8, 2009 Reminded of Dickens choreographed by CJ Holm at Galapagos in New York City.
March 24, 2009 Reminded of Dickens at the Kulturkioske, Gavle, Sweden.
March 13, 2009 Still Life with Castanets at the Southeastern Composers League Forum.
February 17, 2009 Waschka performed a concert of works for vocalist and electronic music at North Carolina State University in Raleigh including works by Pertti Jalava, Monsoor Hosseini, Stephen Travis Pope, and Allen Strange, including A Short Letter from a Small Place by Waschka.
January 28, 2009 A Simple Gift for Elaine performance by Thomas Warburton on the Arts NOW Series at NC State.
January 27, 2009 Reminded of Dickens at the Kulturkioske, Gavle, Sweden.
January 22-March 5, 2009 Thirty-seven (37) Performances of Reminded of Dickens at the University of Central Missouri. Collaboration with Zlatko Cosic.
December 10-14, 2008 Five (5) Performances of Reminded of Dickens as part of the Alternative Film and Video Festival 2008, Belgrade, Serbia. Collaboration with Zlatko Cosic.
November 22, 2008 Belgrade Overture performed by the Radio Television Symphony Orchestra of Serbia as part of the International Review of Composers. Kolarac Concert Hall, Belgrade, Serbia. Premiere.
October 26, 2008 Reminded of Dickens broadcast on the Martian Gardens radio program WMUA FM 91.1 Amherst.
October 1, 2008 Topsy Speaks performed by Sean Devlin on the Arts NOW Series at NC State.
September, 2008 Reminded of Dickens presented more than a dozen times on French Television as part of a 60X60 collaboration with Zlatko Cosic.
September 11, 2008 Strange Moon at NC State University.
September 5, 2008 Strange Moon at Galapagos in New York City as part of the 60X60 dance event.
August 26, 2008 Still Life with Castanets at the International Computer Music Conference in Belfast, Northern Ireland.
July 20, 2008 Premiere of Strange Moon on the Martian Gardens radio program hosted by Max Shea.
Summer, 2008 Composing in Europe.
June 6, 2008 Performance of Reminded of Dickens at Stimultania art galery in Strasbourg, France.
May 12, 2008 Performance of A Simple Gift for Elaine at the Massachusetts Institute of Technology. Elaine Chew, performer.
April 19, 2008 Performance of Reminded of Dickens at CSUF Second Annual New Music Festival, California State University, Fresno, California.
April 19, 2008 Performance of Reminded of Dickens at Los Angeles Harbor College, Wilmington, California.
April 13, 2008 Performance of Reminded of Dickens at Oxford Brookes University, Oxford, England.
April 5, 2008 Performance of Reminded of Dickens in St. Louis at the Bastian Center.
April 4, 2008 Performance of Reminded of Dickens in New York City at Collective: Unconscious.
March 24, 2008 Premiere of A Simple Gift for Elaine written for Elaine Chew.
March 9, 2008 Featured broadcast of String Quartet: Laredo on the radio program "Nova" from Irish national radio, RTE lyricfm.
February 27, 2008 Featured broadcast of String Quartet: Laredo on the radio program "Classical Discoveries" from radio station WPRB, Princeton, New Jersey.
February 26, 2008 Performance of Topsy Speaks at the North Carolina Computer Music Festival. Sean Devlin, performer.
February 26, February 27, February 28, February 29, March 1, March 2, 2008 Performance of Reminded of Dickens at the Spark Festival, Minneapolis, Minnesota.
February 20, 2008 Performance of Reminded of Dickens at Duquesne University, Pittsburgh, Pennsylvania.
February 15, 2008 Performance of Summer Concerto for alto saxophone and symphonic band at the Southeastern Composers League festival in Chattanooga, Tennessee. Philip Barham, soloist.
Now Published: a lengthy interview with Waschka in the December, 2007 issue of 21st Century Music -- A Journal of New Music.
November 30, 2007 Performance of Reminded of Dickens at Collective: Unconscious, New York, New York.
November 14, 2007, Performance of Reminded of Dickens at the John L. Hill Chapel, Georgetown College, Georgetown, Kentucky.
November 14, 2007 Performance of Reminded of Dickens at the University of Central Florida.
November 9, 2007 Performance of Reminded of Dickens at Concordia University in Montreal, Quebec.
November 6, 2007 Performance of Reminded of Dickens at the Longy School of Music, Cambridge, Massachusetts.
November 5, 2007 Performance of Reminded of Dickens at the Merrill Ellis Intermedia Theater, University of North Texas.
October 29, 2007 Performance of Clementine Variations and Still Life with Castanets at Campbell University.
October 24, 2007 performance of Good Luck and Bad Luck at the UNCG New Music Festival.
October 24, 2007 Lecture "Theatricks" at the UNCG New Music Festival.
October 1, 2007 premiere of new electronic computer music work, Reminded of Dickens, at North Carolina State University.
Release of the all-Waschka CD, Music For Strings on a Capstone Records compact disc, performed by the Nevsky String Quartet.
September 20, 2007 The Definitions Aria presented at the University of British Columbia, John Sampen, performer.
September 19, 2007 The Definitions Aria presented at Pacific Luthern University, John Sampen, performer.
September 18, 2007 The Definitions Aria presented at Whitman College, John Sampen, performer.
September 16, 2007 The Definitions Aria presented at Lewis and Clark College, John Sampen, performer.
May, 2007: Publication of the book, Evolutionary Computer Music with a chapter by Waschka on "Composing with Genetic Algorithms - GenDash". Contains a compact disc that includes a recording of Singing in Traffic performed by Steve Duke. Published by Springer, (London) it is edited by E.R. Miranda and J.A. Biles. ISBN: 978-1-84628-599-8
April 11, 2007: Release of the AUR compact disc featuring Waschka's Summer Concerto for alto saxophone and Symphony Band, recorded by Philip Barham and the Tennessee Tech Symphony Band directed by Joseph Hermann. The disc is titled "America's Millenium Tribute to Adolphe Sax, Volume XII".
April 3, 2007: The Bremen Clarinet Quartet performs Waschka's multi-clarinet work, Skim.
March 31, 2007: The Definitions Aria performed by John Sampen at the University of Hawaii, Manoa
March 25, 2007: Gregory Wiest gave the premiere of the song cycle Trains for voice and piano in Munich, Germany.
March 24, 2007: Invited talk by Waschka at the National Humanities Center as part of the Tanglewood Two pre-Symposium Conference.
March 16, 2007: Topsy Speaks performed at the Southeastern Composer's League festival, in Greensboro, North Carolina.
February 27, 2007: Singing in Traffic performed by Jonathan Kramer at North Carolina State University.
November 11, 2006: Keeping the Core Pure: In Memory of Jerry Hunt performed by the Convolution Brothers (Cort Lippe, Zack Settel, Miller Puckette) and Waschka at the International Computer Music Conference in New Orleans.
April 3, 2007: The Bremen Clarinet Quartet performs Skim at an Arts Now Series event.
March 15-17, 2007: Performance of Topsy Speaks at the Southeastern Composer's League festival. Greensboro, North Carolina.
February 27, 2007: Performance of Singing in Traffic by Jonathan Kramer at North Carolina State University.
November 11, 2006: Performance of Keeping the Core Pure: In Memory of Jerry Hunt at the International Computer Music Conference in New Orleans. Performed by the Convolution Brothers (Cort Lippe, Miller Puckette, and Zack Settel) with Waschka.
October 19, 2006: Performance of La Verdad at North Carolina State University.
October 19, 2006: Performance of La Verdad at North Carolina State University.
September 29, 2006: The Definitions Aria performed by John Sampen at the University of Hawaii, Manoa.
September 27, 2006: The Definitions Aria performed by John Sampen at the University of Arizona.
September 26, 2006: The Definitions Aria performed by John Sampen at Northern Arizona University.
September 25, 2006: The Definitions Aria performed by John Sampen at the University of New Mexico.
September 24, 2006: The Definitions Aria performed by John Sampen at New Mexico State University.
Summer, 2006: Composing in Europe.